I use time‐intensive construction methods to create totems and environments that reference the cyclical nature of growth and decay, and suggest layers of time that move beyond the art historical and into the geological and emotional. The works range in media from porcelain to performance, and together this constellation of artworks is an analogue for the wear and confidence that comes with age, the transience of time, and how we come to understand our present moment through histories that are epic and intimate.